01
115-130 BPM
House
A steady four-on-the-floor pulse with warm grooves that can feel soulful, sleek, or built for a huge singalong.
Branches
- Deep house
- Tech house
- Progressive house
- Afro house
Ten genre families, explained by tempo, texture, and the feeling they create on a dance floor.
Meet the genresGenre names are shortcuts for the rhythm, energy, and sound design you are likely to hear. They help you choose a stage, but they do not lock an artist into one lane.
Use the tempo as an orientation point and the descriptions as listening clues. A bassline, drum pattern, or drop will usually tell you more than the label on a lineup poster.
BPM note: Each range is a usual zone, not a rule. Some bass music is written at double the tempo you naturally feel.
Start with a name you know, then follow the neighboring sounds.
01
115-130 BPM
A steady four-on-the-floor pulse with warm grooves that can feel soulful, sleek, or built for a huge singalong.
02
120-150 BPM
Driving and hypnotic, with repetition, texture, and machine-like momentum doing more work than a big vocal hook.
Jeff Mills , Charlotte de Witte , Richie Hawtin , Amelie Lens
03
128-142 BPM
Long builds, bright arpeggios, and emotional breakdowns turn the dance floor into one shared, hands-up release.
Armin van Buuren , Above & Beyond , Ferry Corsten , Paul van Dyk
04
135-150 BPM
Half-time drums leave space for chest-rattling sub-bass, sharp sound design, and drops that range from deep to feral.
Skream , Skrillex , Excision , Subtronics
06
130-160 BPM
EDM trap pairs booming 808s, quick hi-hat rolls, and half-time swagger with the scale and impact of festival drops.
RL Grime , Baauer , Flosstradamus , ISOxo
07
145-200+ BPM
Distorted kicks and maximum-pressure energy drive everything from euphoric hardstyle melodies to relentless hardcore.
Sub Zero Project , Da Tweekaz , D-Block & S-te-Fan , Angerfist
08
138-150+ BPM
A fast rolling bassline, acid-shaped leads, and constantly morphing effects make the groove feel playful and psychedelic.
09
125-140 BPM
Swung, skippy, bass-forward drums break away from the constant kick, bringing bounce and shuffle to the room.
10
130-160 BPM
Emotional vocals and wide, shimmering chords swell into bass-heavy drops built for catharsis as much as impact.
Flume , Illenium , San Holo , Seven Lions
Artists borrow drums, bass textures, and song structures from the music next door. That is why one set can move from house to techno, or from melodic bass into dubstep, without feeling like a hard reset.
If two labels seem right, they probably describe different parts of the same track.
Four on the floor
Big emotion
Broken rhythm
Pick the sound you want more of. Festival Finder will show you events where it belongs on the lineup.